There's a Dragon in my Backpack by Tom Nicoll and illustrated by SarahHorne

There's a Dragon in my Backpack by Tom Nicoll is a short, action-packed, chapter book illustrated by Sarah Horne. It is ideal for the newly independent reader who is developing reading stamina and making the transition from picture books to chapter books. It is the second story about Eric and his pet dragon, Pan. However, you don't have to read the first story in the series to be able to fully appreciate and enjoy this book as it reads well as a stand-alone story.

It is told in the first person by 9 year old Eric Crisp. Eric has a secret pet: a mini-dragon called Pan. Pan's thirst for adventure gets Eric into all sorts of scrapes and children will enjoy reading about the lengths Eric has to go to in order to keep Pan a secret. He loves his dragon despite this and is willing to put himself in danger in order to rescue Pan.

As a class/group read, teachers can explore characterisation. There are clear contrasts between the good and the bad characters, whilst at the same time some interesting similarities. Both Eric, the loveable protagonist, and Toby, the loathsome neighbour tell lies. Exploring why despite this, we still love Eric but detest Toby, teachers will be able to further children's comprehension skills beyond the simple distinctions between good and evil.

The story structure is a relatively simple one which is chronologically sequenced over the course of two days. This means that children will be able to comprehend the events with ease. However, the comprehension of the characters will require pupils to focus more on their developing skills of inference. Nicoll utilises the writing technique, often referred to as 'show not tell' throughout the book. The three friends, Eric, Jayden and Min all have their own individual character traits which can be explored through an examination of their dialogue. Likewise, later on in the book when the three friends meet Emily from the La-Di-Da school, children will need to use their inference skills to know that she doesn't believe their story about what is in the backpack and also why she doesn't believe it. 

It would also be interesting to focus on Toby as a character. Eric's views of him change as the story progresses. This makes it a good text to use when introducing children to the idea that character traits don't remain static. They are influenced by the events that occur.

Horne's black and white illustrations throughout the book break up the text making it a good transition text from picture books to chapter books. Children won't be daunted by the number of words on the page. Likewise, there are a number of 'notes/factfiles' which Eric has produced that serve the same purpose as well as providing additional information. The illustrations will also support children who still find it difficult to visualise a story or have no prior experience of some of the settings/events in the story. For example, many children will not have had experience of or know anyone who attends a private school and the illustration will help those children visualise the description of Toby's uniform.

Ideal to use as a class/group text to develop children's comprehension skills in particular inference. It would also make a good text to model various writing techniques or as a Talk4Writing stimulus. The book will appeal to both boys and girls alike.  The fact that the protagonist is a boy and there is a great deal of humour and action in the story means in particular that it ticks all the boxes that have been identified in research about motivating boys to read and this age group has proven to be the crucial age group in developing life-long readers.

Publisher: Little Tiger Press

Publication Date: May 2016

ISBN: 978-1-84715-676-1

The Legend of the Worst Boy in the World by Eoin Colfer, illustrated byTony Ross

Eoin Colfer's book The Legend of the Worst Boy in the World is told in the first person from the point of view of Will, a young boy of 9 who has 4 brothers. Unfortunately for Will, having 4 brothers and 3 of them younger than him means that he often doesn't get the attention he feels he needs and deserves from his Mum and Dad. However, he finds the perfect audience to listen to his tales of woe in the form of Grandad. Children in lower Key Stage 2 will love the ensuing competition between Will and Grandad to see who can tell the story with the biggest problem. They will be able to relate to many of Will's 'problems' and will be amused and engaged by Grandad's tales.

The story contains a second story which is cleverly woven into the main narrative. This story is in stark contrast to the main story which is told through gentle humour. Instead, the second story is full of suspense, tension and action as Will's older brother carries out a plan to get rid of 2-year-old Will. This shorter story within the story is ideal for exploring story structure, identifying the problem, build-up and resolution. Through guided reading children could discuss how Colfer builds up the tension. The sentences are short and simple, thereby quickly drawing the reader into the action. This also makes the text accessible for those who have just gained independence in reading. The text is accompanied by black and white illustrations by Tony Ross, which makes it a suitable 'transition' text from picture book to novel.

Colfer's storytelling is so good that at the end of the book he is able to explain to his readers the meaning of 'moral of the story' in such a way that feels natural and integral to the story itself. This would allow teachers to explore 'morals in stories' with their classes and identify other tales which have morals and what those morals are. The title 'the Legend of...' also provides opportunity to investigate and explore other types of tale/story. So, within this one book we have 3 story genres 1) the contemporary familiar setting story 2) the fable and 3) the legend. Pupils could investigate the features of all three and compare and contrast them and collect examples of each.

There is also ample opportunity for language study from the invention of new words to the use of adjectives to create vivid and funny descriptions, to simile to aid visual understanding.

The fact that the story is told in the first person means that the tale will appeal to a wide range of readers in lower key stage 2, including boys and possibly even those who have not yet caught the bug of reading for pleasure. A great book which deserves a place in the class library for independent reading but also one which has the potential for study both with the whole class and small groups.

Publisher: Puffin
Publication Date: 2008

Claude in the Country by Alex T Smith - Review

Claude is an adorable young fiction character created by talented author/illustrator, Alex T Smith. Claude is a dog or more precisely, as we are told in the book, 'a small, plump dog who wears a beret and a very dashing jumper.'

Claude in the Country is the 4th in the series. However, it can be read as a stand alone book. The stories do not have to be read in order.

Claude and his trusty companion Sir Bobblysock (who is of course a sock) decide to spend the day in the countryside to try and overcome Claude's boredom. It's not long before they stumble across a farm and meet a charming farmer. Young children will love the fact that she is called 'Mrs Cowpat'.  There is a country fair taking place on her farm that afternoon and Mrs Cowpat has a lot to do. Claude and Sir Bobblysock help. They collect eggs; round up sheep; exercise the horses; and wash the pigs. Then the fair starts. However, one of the judges is chased by a very angry bull. Claude saves the day by lassoing the bull and capturing it. After all the excitement, Claude and Sir Bobblysock return home for a well-earned snooze.

The series is brilliant for reading aloud to younger children in foundation stage and Key Stage 1. It is also ideal for those children who are beginning to read independently and gaining their reading stamina and confidence. It provides an answer to the much needed step from picture books to longer reads.

Children will laugh out loud at Claude's antics and roll their eyes at Sir Bobblysock's feeble excuses for not doing things, such as having a stiff knee.

The illustrations are fresh and funny, with a retro feel. Alex T Smith uses a strict palette of black, grey, white, red and pink. The text and illustrations work perfectly together, and there's a great sense of comic timing. The visual humour, which is sophisticated, is particularly appealing to the adults who are sharing these stories with children.

Claude in the Country was published in 2012 by Hodder Children's books ISBN 978-1-444-90928-9

Claude in the City was shortlisted for the Waterstone's Children's Book Prize 2012 and the Richard and Judy Book Club 2011.